Surely in 1901 the NDA community considered their new chapel
built behind the school building to be a
great treasure. New, beautiful in its
décor—the white wooden altars, lovely statues, large stations in deep
relief, the stained glass windows,
and quite notably, a front wall
above the altars, filled with murals painted, the story goes, by Sr. Maria
Casimira and her team of Sister artists.
Sister’s work appeared on the ceiling also—four Evangelists done in oil
on canvas, 36” in diameter, and, as far as blogger can determine, located at
the four corners of the ceiling. While some
of the murals were lost in subsequent renovations, the murals directly above
the side altars and the Evangelists on the ceiling were mercifully preserved. Above the side altars: the Sacred Heart
statue was on the left altar (not usual, as you may be aware) so the mural
above it depicted Jesus, kneeling in prayer in the garden of Gethsemane; the
right altar with its statue of Mary was below a depiction of the
Annunciation. It is not known if these
murals as well as the ones removed earlier in the sanctuary apse were frescoes
(water color paintings on wet plaster) or simple paintings.
Since the Evangelists were on canvas roundels (circles), they
had been glued to the ceiling. Upon
being removed, they were stored and subsequently brought to Hilton Dr. in
1963. They remained in general storage
until the archives was organized.
Currently the paintings are among the most treasured of the holdings in
the archives. The archivist took them to
the Cincinnati Art Museum a few years ago to see if the preservationist there
thought they were worthy of restoring—they are.
One can determine which of the Evangelists is which by the
symbol appearing next to each: Matthew, a winged man—the Gospel begins with a
genealogy of Jesus; Mark, a lion—the Gospel begins with John the Baptist, a
lion roaring in the desert; Luke, an ox—the Gospel begins with Zachary offering
sacrifice in the temple; John, an eagle—flying so high it can look at the sun
(this Gospel is very lofty). There are
many interpretations of the symbols (Wikipedia), but these may be the most
common.
Efforts to find out any more about the supposed
creator, Sr. Maria Casimira have proven fruitless. We do know that she came from Germany in 1877
during the Kulturkampf (the SNDs left Germany rather than give up wearing the
religious garb as required by law).
According to her obituary she was a very humble person who did not
mention anything about her artistic endeavors in her short autobiography. Oh Sister, how could you leave us in the dark
about what must have been an arduous but satisfying accomplishment? The NDA archivist wants to have a few words
with you when she meets you in eternity.
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